Stories to Write

First off, if you want to know what software programmers really do at work, take a look at my Poetic Cyber-war published in the recent edition of Work Literary Magazine!

On the writing front, I’ve been exploring some experimental writing these last few months. You know how writing prompts and exercises push you to attempt different forms? Here’s my list of the kinds of stories I want to write:

  1. List form
  2. Epistolary story
  3. Second person story
  4. Diary entry
  5. News items
  6. First person plural
  7. Chats, tweets or blog-posts

There are other kinds, of course, like prose poetry or dialogue-only stories, but the seven above are the ones I feel most comfortable about trying out.

Each form, I believe, serves a different purpose. The content should be appropriate to and suited to the form, and the form should not be a gimmick. If it is, the reader can easily figure it out and there won’t be any pleasure in either the reading or the writing of such a story.

Each form warrants a certain kind of story, or a certain kind of protagonist. I cannot think of taking any of my stories and rewriting them in one of the ways given above. It simply wouldn’t suit. So instead, I trawl my trove of ideas to find one that will suit the form and make the story come alive.

Of all the above, I have tried a list-type story last month, which went in as my September entry for the Short Story Challenge. I’ve also tried a story written in first-person plural, as in ‘we did this’ and ‘we did that’. For a fabulous example of how to pull this off, please read Then We Came to the End by Joshua Ferris.

To get these stories working and in publishable shape requires more effort than traditional stories, but I think its worth it just to stretch that creative muscle. Even if its not good enough to be published, it counts as valuable writing practice and a great opportunity to learn what works and what doesn’t, and also to help us writers identify strengths and weaknesses.

Have you tried any experimental stories? Can you think of any other experimental forms to add to the list above?

Successes to Share

The month of September has brought with it great tidings for me. I’m pleased to report a couple of successes:

This was my first story for the Short Story Challenge written way back in January when we started. I had put it on the backburner as I tend to do, and returned to it much later to make the changes suggested by those who critiqued it. For the most part I’m happy to leave my stories to percolate so that I may read it with renewed energy and a fresh eye. This turned out to be a good move for this story.

  • My story Reading the Leaves won 3rd place in the themed short-story contest held by the Creative Writing Institute. They don’t seem to have announced the winners online, but I got this news in the email last week!

The theme for the contest was to write a story of any genre between 1,000 and 2,000 words, but it must contain the given sentences in order without any changes:

I have a list and a map. What could possibly go wrong?

I had a draft of a story that fit the theme. Days before the deadline I rustled up the story proper and whipped it into shape for the contest.


These wins have given me the motivation I need to continue writing. Though the last few months have been hectic on the work front, I continue to plod away at my stories, even its only one page at a time, or revising a little as I go.

So what have you been writing lately?

What I’ve been Reading

I haven’t been reading much. There, I said it. I’m ashamed to have said it but it’s the truth, especially coming from me – a person who used to finish 2-3 books per week with consummate ease. 

To clarify, I haven’t read too many novels this year. But to compensate, and because I’m writing 1 short story every month as part of the Short Story Challenge, I’ve been gobbling up fiction and essays from literary magazines everywhere, mostly online. 

At the rate of 1 short story a day, I might have easily read as much as 2-3 books a week! 

Despite that, I craved my novel fixes. So I got back in the game with two of the most talked about books that have recently been made or are going to be made into films. 


Divergent by Veronica Roth

I came to the Divergent party a little late, because I didn’t know how much I could stomach. I was also worried that it would end on a cliffhanger and I’d be forced to read the sequels just to know what happens next. 

Luckily I’m pleased to report this was not the case. I enjoyed reading the book. It ended on a note that surely promised a sequel, but it is no loss if you choose not to. 

Though I found it very exciting, the premise felt a little too derivative to me. The sorting of people into factions reminded me of the Sorting Hat in Harry Potter, and the violence between adolescents brought to mind The Hunger Games. I understand the appeal, of course, but I’m happy to see the sequels solely on screen, with my niece serving as my guide to plot lines that I may not follow. 

Here’s the trailer for Divergent:


Gone Girl by Gillian Flynn

If you haven’t read the book already, then there’s nothing I can tell you about it. I knew that there was a halfway plot twist but I didn’t know what the twist was. Briefly, all that I can tell you about the book is this: 

On Nick and Amy’s 5th wedding anniversary, Amy goes missing. Nick is the prime suspect – because, almost always, it’s the husband that did it. The book is narrated alternately by Nick, and Amy’s diary entries. 

Now that I know the twists and the endings, I can safely say – please read the book if you haven’t already!

The film is out in October. The trailer is brilliant, as is the casting for the movie:


Right now I’ve started on The Silkworm, written by Robert Gilbraith aka JK Rowling. So far, all I can say is, JKR is JKR. She hasn’t lost her touch, or her sense of humour, or her writing skills, one teeny bit.


What have you been reading lately?

The Most Marketable Skill

The good folks over at Webucator contacted me the other day to contribute to their ‘Most Marketable Skill’ campaign of 2014. The cause is close to my heart, and with thirteen years of experience in the working world, I feel knowledgeable enough to share my words of wisdom with graduates who are about to dip a hesitant toe into corporate waters. 

I wouldn’t be able to zero in on just one skill, but the following three make it to the top. Note that these don’t just apply to newbies but to seasoned professionals as well, many of whom commit similar mistakes. 

Always be ready with prospective solutions

If you have to inform your manager about a problem, always keep at hand a couple of solutions. Also keep in mind which is your preferred solution, because that’s one of the questions your manager will ask you. The other questions she will ask are – the pros and cons of each solution, the dependencies of each, the time taken for each. The only exception to this rule is for issues out of your control, such as you don’t have the required permissions or tools to perform your job. 

Never, ever, present your manager with just problems. If you do this consistently, you will be branded as a whiner, and nobody likes whiners. 

Be proactive

If you’ve finished the work assigned to you earlier than expected, ask for more work rather than the manager finding out much later. 

Instead of looking for something to do, look around and see if you can identify opportunities to improve some part of the work you are doing – either in technical terms or in terms of the process followed. Don’t worry if your proposals are not accepted for whatever reason – your manager will be happy to see you taking the initiative. 

Learn how to explain issues briefly

Your lead is juggling multiple tasks at a time. To help them help you, learn to condense the problems you’re facing into crisp bullet points. This skill will hold you in good stead whichever field you work in. While everyone else is unravelling epic tales about their problems, if you can explain yours quickly and to-the-point, you will get a pat on the back. More details can always be shared when your senior demands them of you. 

This skill applies to emails as well. When offering a status update in an email, start with a succinct update first and then expand upon the issue at hand. The recipient should be able to glean an idea of the subject without having to read a long story of ambitious proportions. 

As you grow on the job, learn to apply the newly-acquired skills regularly. Remember to pick up new ones and don’t get left behind. 

What do you think is the most important skill for fresh graduates?

Writing for Free

I’ve been pondering the question of writing for free which Damyanti at The Daily (w)rite raised in her post some time back. It’s a big question that all writers tackle at some point or the other – should one write for free at all? 

I’ve had a few short story publications, and for all but one I’ve managed to get paid, even if small token amounts.

I have a journalist friend who insists on writing for money, and by that, I mean good money. No pittances like $10 for those 500-word articles that infest freelance job-boards. The quality of her writing matches this attitude. She puts her money where her mouth is. She does not pursue non-paying opportunities, and will never advise you to do that either. Inspired by her, I approached my writing in the same style. I followed her model and determined that I will send some of my stories to paying venues. 

I cannot honestly say whether this strategy is working. I have had some work published, others not. I’ll play out this experiment a little longer to check the results. For a few months more, I’ll try sending some of my stories to the paying markets. Note that alongside I have also sent and am still sending stories and essays to non-paying magazines which I feel are a good fit for the work I’m sending. However, until I’ve garnered more acceptances from either side, I won’t know if I’m on the right track. 

The process of ‘Write. Submit. Repeat’ is fairly time-consuming, because most literary magazines take more than 3 months to respond, and at the end of all that waiting, it may lead to a curt form rejection. 

Seth Godin says that when you’re building a portfolio you should work for free readily. But I agree with what Damyanti said in a comment – when does the giving away stop and the earning begin? I’m not sure of the answer at all. 

Another point to consider: If you don’t even try for the paying markets, then your writing may also get stuck in the same place forever, without any discernible improvement from one year to the next. Submitting to a high-paying market may bring out the best in a writer, and even if they don’t get published in that magazine, at least their writing would have improved by the end of it. 

By the end of this year I hope to offer a positive report on my experiment of writing for pay. 

What is your opinion on writing for free?

What’s in a name?

According to the good bard, a rose by any other name would smell just as sweet. I am no rose, and I don’t care how I smell, beyond praying I don’t suffer from halitosis, but I long for the day when I can introduce myself and not have a distorted version of my name flung back at me.

My name is Gargi, pronounced Gaar-gee, rhymes with ‘car key’ but substitute the hard g sound instead. The first time people hear my name, the many unflattering variations they conjure up are as follows.

Rhymes with Fungi. This name would be appropriate if there existed an organism called a ‘gargus’ and I amounted to many of them together, thus becoming the plural, Gar-gai. Despite the many flaws in my character, no-one has, so far, compared me to a fungus or any other such moldy substance.

Bonus joke:
Q. Why did the mushroom go on holiday?
A. Because he was a fun guy.
(Source unknown)

Why don’t people understand – if my name was George, I’d spell it that way, wouldn’t I? Do they think I’ve deliberately changed the vowels just to flummox potential acquaintances?

Studies have found that people calling me over the phone are especially liable to confuse me for a Greg or a George. They dial my number in feverish expectation of a hunky male voice, and then react in great surprise when my dulcet feminine tones stream down the phone. If I had a dime for every time I answered my cell only to hear ‘May I speak to Mr. Gargi?’ I would be richer than Mark Zuckerberg.

Georgie Porgie
Close on the heels of George came the insufferable nursery rhyme Georgie Porgie. The chants started as soon as I boarded the school bus:

Georgie Porgie, Puddin’ and Pie,
Kissed the girls and made them cry,
When the boys came out to play
Georgie Porgie ran away

It only hurt more because Georgie Porgie was a boy.

This one crosses all boundaries of decency. I assume the offender had consumed one pint too many, and taken it upon himself to spoil my day by drawling my name like this.

In India, one tags a ‘ji’ to the end of a name to connote respect. So “Jar-ji” would be appropriate if one was addressing a jar, but I am not a jar, even if people might accuse me of being shaped like one.

When spoken with a French accent, ‘Jarji’ sounds like a badly cooked French dish, which again, I am not. Maybe they were aiming for ‘bourgeoisie’ but got ‘jarji’ instead?

This is the number one most popular pronunciation of my name. The first syllable rhymes with ‘fur’, and overall it needs only a little juggling of the alphabets to be turned into Fergie, which means I might turn up as a popular Duchess in London. I am toying with the idea of moving there for good, and assuming the title ‘Gergie – Duchess of Dork.’

Fear not, this is neither a mispronunciation nor (I hope) an assessment of my character, but ‘tis instead a mere nickname for my humble self. Friends and foes, fed up with pronouncing my name wrong, resorted to this simple word to express how they felt about me. It helped that when you type Gargi in Microsoft Word, it offers ‘garbage’ as a viable alternative. MS Word, I feel the same way about you.

Gags or Gargs
This is, thus far, the most popular nickname I’ve had. Old friends, who still remember my name and on occasion my birthday, refer to me by this affectionate nom de plume. A friend who eventually moved to Australia hit upon an extension of this that became wildly popular among my colleagues – Gags the Bags.

Graggy or Gragi
I think they mean groggy, but I can never be sure. Possibly I got stuck with this nickname the day I downed two glasses of wine and one glass of champagne and tottered to the loo in a hurry.

This is the word for a coarse, dark sugar, especially the one made from the sap of East Indian palm trees.

It’s nice to be thought of as something sweet, but really its not. I’m not that sweet.

Other alternatives offered by MS Word

No thanks, MS Word. I can get myself misnamed without your help. In the meantime, write down my name – it’s spelt G-A…oh hell, just call me Miss G.

How I Overcame Writer’s Doubt and Saved the World

I am participating in the ‘Writing Contest: Overcoming Writer’s Doubt’ held by Positive Writer.

Show me a writer and I’ll show you doubt. Writers all over the world harbour all kinds of misgivings about their voice, the number of adverbs in their stories, the Flesch-Kincaid level of their writing and many other such seemingly trivial issues.

My writer’s doubt was a little different.

Around this time last year, I’d taken a stab at revamping my first novel. Revamping is a polite word – what I really mean is ‘rewriting’. A contest lurked on the horizon, which required 3 chapters and a synopsis. Of course, I didn’t have time to rewrite the whole manuscript but surely I could slap together the first few chapters and a summary, couldn’t I?

Indeed, I could. I still didn’t have a lot of time, but I kept my nose to the grindstone and churned them out. I grabbed my critique partners by their virtual collars and dashed the partial off to them, demanding snappy reviews be sent back ASAP. They obliged, and minutes before the deadline, I sneaked in my entry.

Of course, I didn’t win. I didn’t even place.

That’s when doubt, in all its might and glory, struck me. Now, my hesitation wasn’t the usual – “is my writing good enough” variety.

It was the mega-jumbo-super-mammoth version. The exact words in my mind were:

Do I even have the ability to tell a story?

At this point, I’d had around 4 published pieces in journals spread out over a few years. So when I asked myself this question, I assumed that the previous ones were flukes, and that now I needed to get down and prove that I can tell a story – coherently, succinctly, and for the reader’s general entertainment.

But how to do it? It’s easier said than done. It had taken me 2-3 years to complete each of my novels, by wresting the few free hours leftover after finishing my day job. If I set out to prove my writing chops via novels, I’d be around 80 by the time I had anything to show for my efforts.

So I had a brainwave, and opted for the shorter route. I decided to try my hand, once again, at polishing and publishing my stories.

This time, I pulled up my sleeves and stepped into the murky waters of plot and characterization and that bane of writers existence – literary writing. I read story collections, I collected them like fridge magnets and pored over stories that online journals were publishing, to get a feel of what works and what can be done better.

Then I did the only other thing left to do – write.

I wrote the stories. Then I polished them. I wrote some more, and polished some more.

Since making my ground-breaking decision, I have had 5 stories published in a span of 6 months.

I’m part of the Short Story Challenge, which means I’m sharpening my knives and polishing more stories. Literary journals online are, at this very moment, snowed down under mountains of submissions with my name on them.

I guess there’s only one conclusion to be drawn – I can tell a story! That, and even if I couldn’t, I’d die trying.

That’s how I overcame writer’s doubt and saved the world (from another frustrated suicidal writer). How about you? Do you have a story to share about overcoming doubt in any form?

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